Painting in Sixteenth-Century Venice: Titian, Veronese, Tintoretto | 
 enlarge | Author: David Rosand
Publisher: Cambridge University Press
Category: Book
Buy Used: $103.21
Used (2) from $103.21
Rating:  3 reviews
Sales Rank: 1097176
Media: Paperback
Edition: 2
Pages: 301
Number Of Items: 1
Shipping Weight (lbs): 2.5
Dimensions (in): 11 x 8.5 x 0.8
ISBN: 0521565685
Dewey Decimal Number: 759.53109031
EAN: 9780521565684
ASIN: 0521565685
Publication Date: September 28, 1997
Availability: Usually ships in 1-2 business days
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Product Description
Painting in Sixteenth-Century Venice, here published in a revised and updated edition, explores the visual tradition of one of the most important centres of the Italian Renaissance through a study of three masters - Titian, Veronese, and Tintoretto. These painters dominated and shaped the traditions of Venetian painting in the High and Late Renaissance. Establishing the conditions of painting in Renaissance Venice, including the social, economic and political situation of arts and artists and the aesthetic values that distinguish Venetian painting from that of Central Italy, David Rosand also explores the formal principles and technical procedures that determined the uniqueness of painting in Venice, above all the development of oil painting on canvas. He also analyses individual images, altarpieces and mural paintings within the several contexts of conventions and institutions - artistic, social, historical - of Renaissance Venice.
Book Description
This classic title, first published in 1982 by Yale University Press, out of print since 1987, is now published in a revised and updated edition. David Rosand explores the visual tradition of one of the most important centres of the Italian Renaissance through a study of three masters - Titian, Veronese, and Tintoretto. These painters dominated and shaped the traditions of Venetian painting in the High and Late Renaissance.
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| Customer Reviews:
 Don't be misled by opinionated review! November 12, 2003
paedagogue (Chapel Hill, NC)
12 out of 12 found this review helpful
Ann Arbor is way off the mark, and did not read the Tintoretto chapter carefully, as it celebrates the depth of the artist's religious imagery. This book is a classic! Gracefully written, deeply learned yet unassuming, and deserving the most attentive close reading you can spare. The introduction is the best, most concise treatment available anywhere of the outstanding contributions of Venetian Renaissance painting. Rosand is possibly the most distinguished scholar now writing about this marvelous topic. Note that the 3 artist chapters are not meant to produce a SURVEY of Venetian painting--each has a different THEME that is traced in the art of the master best suited to it. I've been teaching Venetian Renaissance art at the undergrad and grad level for over 20 years, and I can vouch for the excellence of this book.
 Good and bad... June 4, 2001
5 out of 8 found this review helpful
This book would have recieved 5 stars if it wasn't for an apparent misunderstanding of Tintoretto on the part of Prof. Rosand. The first section of the book is oustanding, laying out beutifully such necessary background info/theory as the role of the artist in 16th century Venice and (even better) the aesthtics of the disengo vs. colorito / florence vs. venice controversy. Now for the bad: while it is generally a nice, concise overview of Tintoretto's artistic production, Rosand misses the point in terms of expressive content of his art, debunking the notion that Tintoretto communicates a real, personal passion and piety. He also claims that, contrary to popular scholarship, the Council of Trent had little effect on the outcome of his paintings and any attempt to link associate specific doctrines may be misleading (approx. quotation regarding the San Giorgio Maggiore Last Supper). Despite these questionable views (which he contradicts in other sources, by the way) it is a valuable volume to anyone's personal library.
Great book October 16, 1999
2 out of 65 found this review helpful
I haven't seen the book, but i have a feeling it will be grea
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