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Titian, Tintoretto, Veronese: Rivals in Renaissance Venice

Titian, Tintoretto, Veronese: Rivals in Renaissance VeniceAuthors: Frederick Ilchman, David Rosand, Linda Borean, Patricia Brown, John Garton
Publisher: MFA Publications
Category: Book

List Price: $65.00
Buy New: $40.94
as of 3/22/2010 05:33 CDT details
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New (20) Used (7) from $40.94

Seller: pbshopus
Rating: 4.5 out of 5 stars 2 reviews
Sales Rank: 85539

Media: Hardcover
Pages: 304
Number Of Items: 1
Shipping Weight (lbs): 4.6
Dimensions (in): 11.6 x 10 x 1.2

ISBN: 0878467394
Dewey Decimal Number: 759.5
EAN: 9780878467396
ASIN: 0878467394

Publication Date: May 31, 2009
Availability: Usually ships in 1-2 business days



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Editorial Reviews:

Product Description
For nearly four decades in the sixteenth century, the careers of Venice's three greatest painters--Titan, Tintoretto and Veronese--overlapped, producing mutual influences and bitter rivalries that changed art history. Venice was then among Europe's richest cities, and its plentiful commissions fostered an exceptionally fertile and innovative climate. In it, the three artists--brilliant, ambitious and fiercely competitive--vied with one another for primacy, employing such new media as oil on canvas, with its unique expressive possibilities, and such new approaches as a personal and identifiable signature style. They also pioneered the use of easel painting, a newly portable format that led to unprecedented fame in their lifetimes. With more than 150 stunning examples by the three masters and their contemporaries, this volume elucidates the technical and aesthetic innovations that helped define the uniquely rich "Venetian style," as well as the social, political and economic context in which it flourished. Essays range from examinations of seminal new techniques to such crucial institutions as state commissions and the patronage system. Most of all, by concentrating on the lives and careers of Venice's three greatest painters, Titian, Tintoretto, Veronese paints a vibrant human portrait--one brimming with savage rivalry, one-upsmanship, humor and passion.


Customer Reviews:
4 out of 5 stars abundant masterpieces   August 10, 2009
Dr. Ivor E. Zetler (Sydney Australia)
13 out of 13 found this review helpful

This splendid catalogue documents the rivalry between Titian, Tintoretto and Titian in words and paintings. This exhibition had 56 paintings on display; and what a succession of great works they are! As would be expected, the informed reader would notice a number of previously familiar paintings. There are however a significant proportion of works that would be seen for the first time.

I have one significant complaint about this otherwise excellent publication. There are 17 full page illustrations, detail reproductions of works appearing in other parts of the catalogue, that receive no written identification. This carelessness is very annoying and surprizing.

Despite my single criticism, I still strongly recommend this excellent book for the interesting text and succession of magnificent paintings. Tintoretto fans are urged to investigate the superb Prado catalogue edited by Miguel Falomir. Even better, visit Venice and see his massive and untransportable masterpieces in person!



5 out of 5 stars A must for those studying Italian Renaissance art   May 15, 2009
Midwest Book Review (Oregon, WI USA)
6 out of 14 found this review helpful

In the peak of the Renaissance, competition between artists was higher than ever. "Titian, Tintoretto, Veronese: Rivals in Renaissance Venice" is a look at the fierce rivalry that raged on throughout the sixteenth century. The three titular artists, each from similar backgrounds and influences, shared a fierce rivalry and the desire to be better than their peers. All three were widely considered by many to be some of the best artists to ever emerge from Venice. Their lives are traced through each of their works, and the works of their rivals. "Titian, Tintoretto, Veronese" is enhanced with full color reproductions of their classic artworks, and is a must for those studying Italian Renaissance art.

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