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The Piero Della Francesca Trail |  | Author: John Pope-Hennessy
Publisher: Little Bookroom
Category: Book
List Price: $24.95
Buy New: $12.20
as of 3/19/2010 23:31 CDT details
You Save: $12.75 (51%)
New (23) Used (14) from $9.72
Seller: mkbookloft
Rating:  5 reviews
Sales Rank: 515984
Media: Hardcover
Pages: 90
Number Of Items: 1
Shipping Weight (lbs): 0.7
Dimensions (in): 9.7 x 5.5 x 0.5
ISBN: 1892145138
Dewey Decimal Number: 759.5
EAN: 9781892145130
ASIN: 1892145138
Publication Date: January 31, 2002
Availability: Usually ships in 1-2 business days
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Product Description
What makes a masterpiece? John Pope-Hennessy, the preeminent expert on Italian Renaissance art, examines the works of master Piero della Francesca, painting by painting and fresco by fresco. The author discusses the stories the works portray, their meticulous composition, the questions they raise, and their place within the artistic context of the time. This volume includes the famous Aldous Huxley essay The Best Picture, which inspired Pope-Hennessy to seek out the enigmatic works that now constitute the pilgrimage known as the Piero della Francesca Trail. 56 full-color photos are featured.
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| Customer Reviews:
 Piero della Francesca book March 22, 2009
Anonymous (Washington, DC)
A gem of a book - makes a great gift for an art history lover
A compact delight June 12, 2003
Irene Aiello (New York, NY)
4 out of 7 found this review helpful
One of the pleasures of a small book is the ability to savour the author's writing. This volume combines Huxley's essay (which makes the startling claim that Piero's Resurrection is the best painting in the world) with Pope-Hennessy's lucid descriptions of Piero's works. The plates are wonderful and well arranged. PH's swipes at Kenneth Clark and John Mortimer would seem churlish in a larger, more ponderous volume, but are merely charmingly opinionated here. A lovely way to spend an hour or two.
 This Trail is worth finding July 3, 2000
Janet Worth (Adelaide, Australia)
3 out of 4 found this review helpful
This small volume (fewer than 60 pages of text) is well worth tracking down through the 'out-of- print' mechanisms. Originally a lecture, the book introduces Piero della Francesca as a "reclusive, silent, rather taciturn friend", but a friend nonetheless. Mr Henessey's rounded analysis and warm descriptions of both the painter and his paintings certainly allow the reader to establish a relationship with Piero. Depsite the author's slightly disparaging remark about "tourists in their rented Fiats" following the Piero della Francesca trail, I urge travellers (Fiat driven, armchair or others) to increase their knowledge, appreciation and sheer enjoyment of Piero by slipping this volume into their luggage or onto the bookshelf. The book is usefully illustrated.
This Trail is worth finding July 3, 2000
Janet Worth (Adelaide, Australia)
1 out of 2 found this review helpful
This small volume (fewer than 60 pages of text) is well worth tracking down through the 'out-of- print' mechanisms. Originally a lecture, the book introduces Piero della Francesca as a "reclusive, silent, rather taciturn friend", but a friend nonetheless. Mr Henessey's rounded analysis and warm descriptions of both the painter and his paintings certainly allow the reader to establish a relationship with Piero. Depsite the author's slightly disparaging remark about "tourists in their rented Fiats" following the Piero della Francesca trail, I urge travellers (Fiat driven, armchair or others) to increase their knowledge, appreciation and sheer enjoyment of Piero by slipping this volume into their luggage or onto the bookshelf. The book is usefully illustrated.
This Trail is worth finding July 3, 2000
Janet Worth (Adelaide, Australia)
15 out of 16 found this review helpful
This small volume (fewer than 60 pages of text) is well worth tracking down through the 'out-of- print' mechanisms. Originally a lecture, the book introduces Piero della Francesca as a "reclusive, silent, rather taciturn friend", but a friend nonetheless. Mr Henessey's rounded analysis and warm descriptions of both the painter and his paintings certainly allow the reader to establish a relationship with Piero. Depsite the author's slightly disparaging remark about "tourists in their rented Fiats" following the Piero della Francesca trail, I urge travellers (Fiat driven, armchair or others) to increase their knowledge, appreciation and sheer enjoyment of Piero by slipping this volume into their luggage or onto the bookshelf. The book is usefully illustrated.
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