Art and Visual Perception: A Psychology of the Creative Eye | 
 enlarge | Author: Rudolf Arnheim
Publisher: University of California Press
Category: Book
List Price: $25.95
Buy New: $16.27
You Save: $9.68 (37%)
New (29) Used (19) from $11.95
Rating:  12 reviews
Sales Rank: 81588
Format: Special Edition
Media: Paperback
Edition: 1
Pages: 518
Number Of Items: 1
Shipping Weight (lbs): 1.5
Dimensions (in): 8.7 x 5.8 x 1.4
ISBN: 0520243838
Dewey Decimal Number: 701.15
EAN: 9780520243835
ASIN: 0520243838
Publication Date: November 8, 2004
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand New, Perfect Condition, Please allow 4-14 business days for delivery. 100% Money Back Guarantee, Over 1,000,000 customers served.
| |
| Also Available In:
|
| Similar Items:
|
| Editorial Reviews:
Product Description
Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician in the fields of art and psychology.
|
| Customer Reviews: Read 7 more reviews...
 Art and Visual Perception April 24, 2008
G. Constantinides
Good book, but I was expecting more images with description of contents rather than general theory.
 The Best book on form perception March 30, 2008
T.Mokhtar
This book is a treasure for all artists, and architects.It is a good book with many illustrations and analysis. If You need to know how to deal with forms, shapes, and their parameters as a professional, this is the right book to buy. Sometimes I think that it is too late to read again about form,but Arnhiem's book is not only about form perception it is about life experience in how to read things in scientific and detailed approach.
conceptual guide to artistic composition--seminal work February 8, 2008
C. J. Clavadetscher (Herndon, VA United States)
Arnheim's book on the creative eye has survived well over half a century, for a reason. This is a truly seminal work on "seeing" and composing artistic images. He deals primarily with painting. I am a photographer. This book means as much to the current photographer with digital camera as to the artist with easel canvas and brush. Fascinating reading illustrated with classic examples. Re-shapes the mind. I bought copies for all of my friends who are, like me, serious shooters.
Very important reading for any serious artist June 27, 2007
M C M (Connecticut)
0 out of 1 found this review helpful
Art and Visual Perception: A Psychology of the Creative Eye br /by Rudolf Arnheim is a work of great importance to any serious artist. In a nutshell, Arnheim tells us in language only we (artists) could fully appreciate and comprehend how our brains and our eyes do so naturally what they do. This is a left brained guy who is fascinated by we right brained people. This work and his other masterpiece "Visual Thinking" make me delighted to be a visual thinker.
 Good as Creative Writing At Best May 16, 2007
Jokie X Wilson (San Francisco, California United States)
13 out of 19 found this review helpful
The problem that I have with this book is that there are so many other books out there that are so much better in terms of describing art concepts and perception concepts. This book has had its run. Cognitive science, studies of synesthesia, the amygdala, you name it, have progressed far beyond the scope of this book. As an artist of thirty years who is on the lookout for books to consider as textbooks for my teaching, I would feel like a sadist making my students read this. br / br /Arnheim meanders in a sort of stream-of-consciousness style of writing. He may be entertaining to some, but I find him hard to follow and his points moot. Also, the illustrations are, beyond the artwork reproductions, pretty bad. A much better illustrator could have been hired to do them. br / br /I find his choice of topics to convey his message to have such a personal feel that I am left thinking that it wouldn't be the best choice for art students to learn either their craft or history. And, as I said earlier, there are much better books available. If this book at least touched on contemporary scientific theories, I could give it more stars. As is, it probably ran out of steam thirty years ago.
|
|
|
