Customer Reviews: Read 4 more reviews...
 A Guilty Pleasure July 9, 2008
Patsy (Freeport, NY)
Hoving dishes the dirt as only he can, in this totally addictive romp through the world of collectors, dealers, and socialites. Hoving is clearly in love with his subject-himself!-but he gives such a rare and fascinating look at what goes on behind the scenes in the lives of the movers and shakers that his self-involvement doesn't really detract much from what is just a great read. Highly recommend this book!
 Scorched Earth policy at the New York Met March 21, 2006
Peter T. Wolf (lake forest, ca United States)
3 out of 3 found this review helpful
This book appeals to a select audience. Those who enjoy reading about the great chase for the treasures of the world. Treasures that wars have been fought over. Those who enjoy reading about the super-rich and their foibles. Those who enjoy reading about the intrigues and back stabbings in elite organizations (this book makes The Apprentice look like a pillow fight). And finally those who enjoy reading about a man's all consuming ambition to succeed and yet through it all remain passionate about great art. If any of the above is your cub of tea then you are going to love this. I absolutely recommend his later book 'False Impressions'. And yes, the author spares no punches in his analysis of alot of famous people.
mummies November 15, 2005
MJ (NC)
This is a great book for reading and as a resource guide book. Makes you feel like your there
SPILLING THE BEANS ABOUT THE MET REVOLUTION November 18, 2002
Luciano Lupini (Caracas Venezuela)
14 out of 14 found this review helpful
This is a refreshing book, about the author's personal quest to transform the Metropolitan Museum of Art of N.Y., during his tenure as director of the museum (1967-1977).
When Hoving arrived as Director, he assessed the Met as a disorganized institution, a collection of collections, located in a mixture of buildings and architectures that gave "the impression of something worse than incomplete; it seemed forgotten and forlorn...." At the time Hoving was offered the post, he was commissioner of Parks, under the tenure of Mayor John Lindsay, whose mayoral campaign the author had joined with a leave of absence from... the Met, where, after receiving his Ph.D. in Art from Princeton University, he went from assistant curator to curator of the Medieval Department and the Cloisters. And indeed, it was Lindsay, when told the news about the directorship, who said: "...have you considered the boredom? Seems to me the place is dead. But, Hoving, you'll make the mummies dance." Hence the title of the book.
The story is a fascinating, at times egotistical and gossipy account of what it took to revolutionize an institution like the Met. From the seduction of the patrons and trustees, such as Nelson Rockefeller, Walter Annenberg, Brooke Astor, Robert Lehman, to the development of a network of experts, smugglers and famous collectors, Hoving takes us on a journey that reveals a lot about the inner workings of power, expertise and glamour, in the art world.
At the end, we are led to believe Hoving's final insight about his tenure:
"With the creative energy of the Trustees who had been on my side and the stuff who supported me, the most sweeping revolution in the history of art museums had taken place. The Met, once an elitist, stiff, gray, and slightly moribund entity, came alive. THE MUMMIES DID DANCE......"
Dancing to the mummies' tune July 23, 2002
R. Tiedemann (Bellevue, NE USA)
6 out of 9 found this review helpful
This lively look at the life and work of a director of a world-class art museum not only educates and entertains, it shocks. The mummies do, indeed, dance as Thomas Hoving takes on the Park Service to expand the museum, wiggles around UNESCO and fights a host of governments for his favorite works of art, plays one collection against another, trades, deals and bluffs his way toward making the Metropolitan Museum of Art what it is today.Hoving has a steam-roller personality, the energy of nuclear fission and no small amount of self-confidence. His educational background -- Princeton and an archeological expedition or two in Europe -- isn't as impressive as you'd expect, but he makes up any shortcomings with old-fashioned chutzpah. After some experience in minor jobs and a city job with the Parks Department, he's told he may be selected as director of the Metropolitan so he looks the place over and makes some notes: "The museum needs reform. Sprucing up. Dynamics. Electricity. The place is moribund. Gray. It's dying. The morale of staff is low. The energy seems to have vanished. You've been missing all the fine exhibits...." This book shows how MOMA gets from where it was then to what it is now -- the politics, infighting, backbiting, sneaking, smuggling and downright stealing it takes to make a museum one of the finest in the world. It's also a fairly realistic look at the glittering personalities and the haute monde of the New York City of a few decades ago. This is a rousing tale that should hold the interest of any reader, art lover or no. Never mind that Hoving doesn't hesitate to toot his own horn. This is, after all, his book. Even taking the stories with a massive grain of salt, they're always riveting and vastly amusing. No one will ever say of Thomas Hoving that he has no opinion on the people and the issues of the art world or that he hesitates to express them. I can't imagine anyone not being fascinated by this marvelous picture of the fabulous and often sham world of art museums and the people who support them and run them.
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