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Drawing Lessons from the Great Masters (Practical Art Books)

Drawing Lessons from the Great Masters (Practical Art Books)

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Author: Robert Hale
Publisher: Watson-Guptill
Category: Book

List Price: $22.95
Buy New: $12.89
You Save: $10.06 (44%)



New (13) Used (11) from $12.21

Rating: 5.0 out of 5 stars 24 reviews
Sales Rank: 106044

Media: Paperback
Pages: 272
Number Of Items: 1
Shipping Weight (lbs): 1.9
Dimensions (in): 10.8 x 8.4 x 0.8

ISBN: 0823014010
Dewey Decimal Number: 741.4
EAN: 9780823014019
ASIN: 0823014010

Publication Date: August 1, 1989
Availability: Usually ships in 1-2 business days
Condition: Absolutely Brand New In Stock. 100% 30-Day Money Back. Direct from our warehouse. Ships by USPS. 1+ million customers served-In business since 1986. Happy Customers is Our #1 Goal. Toll Free Support



Also Available In:

  • Unknown Binding - Drawing lessons from the great masters
  • Unknown Binding - Drawing lessons from the great masters
  • Unknown Binding - Drawing lessons from the great masters
  • Hardcover - Drawing Lessons from the Great Masters
  • Unknown Binding - Drawing lessons from the great masters

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  • Master Class in Figure Drawing
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  • Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice
  • Sargent Portrait Drawings: 42 Works by John Singer Sargent (Dover Art Library)

Editorial Reviews:

Product Description
This famous work enables artists to learn drawing as those of the past did -- by study and emulation of the masters.


Customer Reviews:   Read 19 more reviews...

4 out of 5 stars The Timeless Fundamentals of Drawing   June 12, 2008
Nicholas Payne (NJ USA)
1 out of 1 found this review helpful

This book is a great addition to the student of drawing's library. The author does a superb job of analyze some excellent examples of classical drawing and elucidates the formal and structural concepts in each. Although this book does not provide very much in the way of "step by step" style technical instruction, it does provide the reader with a way of conceptually approaching a drawing. br / br / The author demonstrates where the great artist used a cylinder, or a sphere to conceptualize a part of the subject's anatomy. He shows how lines are modulated to give varying degrees of tone and shape to the figure. Many of these ideas will stew around in your head as you approach your own drawing projects. Eventually, you will notice that you are more aware of certain parts of the form and that these are being incorporated into your work. Overall, this book is a very interesting and enjoyable way of delivering basic drawing concepts to a student reader.


5 out of 5 stars Excellent reference   April 12, 2008
Heather Anne (Australia)
This is an excellent text/reference for drawing enthusiasts, or students of drawing. Both the way it is broken down, and uses examples from the masters to illustrate the concepts offer a really solid grounding in how line is used to describe space, shape and tone.


5 out of 5 stars Excellent Reference   February 18, 2008
Short Bald Yogi (Tulsa, OK)
This is one of the "timeless" drawing reference books every artist should look at when he/she needs inspiration. Hale picks some of the most dynamic life drawings by the old masters--Leonardo, Ingres, etc.--and disects them in terms of composition, tone, thrust, etc. He is right on in his suggestions that artists should study human and animal surface anatomy to understand the figure. I found his discussion of light and shadow especially instructive.


5 out of 5 stars Fantastic   February 16, 2008
More of a philosophical approach to drawing than instructional. But, often i find it enlightening to learn HOW to think...more so than WHAT. A great artist can synthesize his ideas rather than simply comprehend them. This book exemplifies and necessitates this philosophy.


4 out of 5 stars Analysis is great   October 3, 2007
A. B. King
1 out of 1 found this review helpful

I like that he has a full page to show the drawing and on the facing page he has a smaller version with commentary. He places capital letters on the drawing so you can see exactly which line or shape he is discussing.

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