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David Hockney Portraits | 
 enlarge | Authors: Sarah Howgate, Barbara Stern Shapiro
Creators: Mark Glazebrook, Edmund White
Publisher: Yale University Press
Category: Book
List Price: $65.00
Buy New: $40.44
You Save: $24.56 (38%)
New (6) Used (6) from $30.70
Rating:  2 reviews
Sales Rank: 520798
Media: Hardcover
Pages: 256
Number Of Items: 1
Shipping Weight (lbs): 3.2
Dimensions (in): 10.9 x 9 x 1.1
ISBN: 030011754X
Dewey Decimal Number: 709
EAN: 9780300117547
ASIN: 030011754X
Publication Date: March 28, 2006
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand new item. Over 3.5 million customers served. Order now. Selling online since 1995. Few left in stock - order soon. Code: Y20080804103748E
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Product Description
David Hockney (b. 1937) is one of the most significant artists exploring and pushing the boundaries of figurative art today. Hockney has been engaged with portraiture since his teenage years, when he painted Portrait of My Father (1955), and his self-portraits and depictions of family, lovers, and friends represent an intimate visual diary of the artist’s life.
This beautifully illustrated book examines Hockney’s portraits in all media—painting, drawing, photography, and prints—and has been produced in close collaboration with the artist. Featured subjects include members of Hockney’s family and private circle, as well as portraits of such artists and cultural figures as Lucian Freud, Francesco Clemente, R. B. Kitaj, Helmet Newton, Lawrence Weschler, and W. H. Auden. The authors reveal how Hockney’s creative development and concerns about representation can be traced through his portrait work: from his battle with naturalism to his experimentation with and later rejection of photography, and from his recent camera lucida drawings to his return to painting from life.
Featuring more than 250 works from the past fifty years, David Hockney Portraits illustrates not only the fascinating range of Hockney’s creative practice but also the unique and cyclical nature of his artistic concerns.
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| Customer Reviews:
 Maniac May 12, 2007
B Chancellor (Austin, USA)
Generally the portrait images were too small to really study his painting style. That is my only complaint. Interesting stories in the section describing all his sitters, famous or not. What a productive maniac he has been. 41 portraits of his dogs!!!
 A Very Personal and Tender Survey of the Works of David Hockney April 24, 2006
Grady Harp (Los Angeles, CA United States)
18 out of 19 found this review helpful
David Hockney is an artist whose works are familiar to everyone, whether from exposure to his many museum shows, his paintings and drawings included in every major survey of contemporary art, to his magical sets for operas such as The Magic Flute, Die Frau Ohne Schatten, The Rake's Progress, Tristan und Isolde, etc.
This current book DAVID HOCKNEY PORTRAITS is, for this reader, the most sensitive presentation of Hockney not only as an artist but also as a tender, feeling, caring human being. The book accompanies an exhibition soon to travel and includes over 250 examples of Hockney's view of his family, himself, his friends - famous and not so famous-, lovers, and pets. The result is a survey of Hockney's people-oriented works over the past fifty years.
Included are early pen and ink drawings from the 1950s, gentle and simple line portraits of his mother and father and himself, and progresses to the development of his large-scale paintings of life size portraits of family, lovers, and self-portraits. Many of the people depicted in these works are no longer alive and there is a sense of memory in some of the works that barely hides Hockney's sadness at their parting.
The book also opens the door to Hockney's experimentation with photography as an art medium, with several of his multiple view Polaroid collages of a single 'sitting' telling more stories than a movie. And after Hockney's excursion into that medium the portraits turn to painting his subjects from life.
Most of the works in this book have been published in other volumes or have become familiar to the public by other means, but it is the curatorial hand that makes his survey so fine and so immediate, a success not easily accomplished with an artist as private as Hockney: the collection is under the encouraging guidance of the artist. This is an excellent overview of a very special artist whose works continue to capture the imagination of viewers and fellow artists alike. Highly Recommended. Grady Harp, April 06
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