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Jenny Saville | 
 enlarge | Author: Gagosian Gallery
Publisher: Rizzoli
Category: Book
List Price: $50.00
Buy New: $21.00
You Save: $29.00 (58%)
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Rating:  15 reviews
Sales Rank: 55965
Media: Hardcover
Pages: 160
Number Of Items: 1
Shipping Weight (lbs): 3.7
Dimensions (in): 12.3 x 11 x 0.9
ISBN: 0847827577
Dewey Decimal Number: 759.2
EAN: 9780847827572
ASIN: 0847827577
Publication Date: November 8, 2005
Availability: Usually ships in 1-2 business days
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Shipping: International shipping available
Condition: New - Has remainder mark. Fast shipping from trusted wholesaler with many exclusive publisher contracts.~
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Product Description
At thirty-two, Jenny Saville has had a career most artists twice her age would envy. In 1992, the year she completed her studies at Glasgow School of Art, her graduation exhibition sold out. Most notably, one painting was bought by Charles Saatchi and, since then, her international reputation has grown at a rapid and steady pace.Jenny Saville is described as a "New Old Master" for the technical proficiency of her oversize nudes that have earned her comparisons to Rubens and Lucian Freud and universal praise from critics and art historians alike. For the conceptual underpinnings of her work, she has been hailed as one of the most interesting artists of the last decade. Her work has been shown alongside that of Damien Hirst and the other Young British Artists in the acclaimed and seminal survey of new British art Sensation at the Royal Academy (London, 1997) and the Brooklyn Museum of Art (New York, 2000).This is the only monograph devoted to the critically acclaimed young artist and features all of Jenny Saville's paintings to date-including many previously unpublished. This volume is being published in association with the Gagosian Gallery in London. The power of her brilliant and relentless embodiment of our worst anxieties about our own corporeality and gender is what distinguishes Saville from other paint-obsessed representers of the naked human body. To my eye, no other artist in recent memory has combined empathy and distance with such visual and emotional impact. -Linda Nochlin, Art in America, March 2000
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| Customer Reviews: Read 10 more reviews...
 Beautifully illustrated - but overdone April 16, 2008
Benjamin (UK)
2 out of 2 found this review helpful
The book opens with two short essays and a reprint from The Independent, January 30 1994, which is a statement by the artist about her work and her approach; in addition there is an interview with Jenny Saville, May 2005, in which she further describes her approach to painting. The book includes a Biography and a Bibliography. Of the text by far the more interesting are the two in the artist's own words, far more down to earth and revealing, the two short essays border on the pretentious. br / br /There is no question that the book is beautifully illustrated with around 85 full-colour images. However it is worth noting how that breaks down. There are 32 paintings illustrated, and while a few approach full-page size many are smaller, unnecessarily so as there is plenty of room on the page; these picture need to be as large as possible considering the actual size of the paintings. About 20 of the illustrations are of a detail of the paintings, these images are full page or even double-page bleed illustrations; they are very informative although one or two seem so enlarged as to become abstract images in their own right. The remaining 33 or so images, mostly double-page bleed illustrations, are photographs of extracts from the artists notes and sketch books, her sources such as books or photographs, and views of her studio; however again one or two go beyond being informative and are simply arty pictures for their own sake. br / br /This is a well produced book, the illustrations show the artist's work well, and convey an idea of the texture of the paint. However overall I feel it is lacking, the attempt at a showy display and the cleaver photography detract from the paintings, and apart from the artist's own words the text is insubstantial. FIVE STARS for the artist, but the book could be a lot better.
 She stunned the pros January 28, 2008
Studio Products Inc. (Haverhill, MA United States)
1 out of 1 found this review helpful
I pre-ordered this book and when it arrived, I was not disappointed. I pored over it for a few days before bringing it to the studio to show the artists who work in my studio. They were equally excited by this collection, but then what do we know? We just make our total livings at making artwork. It is our day job! br / br /Sorry that I can't look into my crystal ball to see what she'll be like at age 80 but right now, she is breathing real life and power into contemporary realism. This book shows ample reason why Saville is celebrated and her detractors are virtual unknowns. br / br /The best always rise to the top...always.
wow September 9, 2007
rebelette (ny)
0 out of 2 found this review helpful
bought it at moma-snatched it up. love this painter-she is extremely talented. good book too. missed the last gagosian show:(
Very Nice Book September 6, 2007
Clint J. Gerstner (Farmington, NM United States)
1 out of 2 found this review helpful
This book is top-notch. The reproductions are very well done, and there are tons of close-up shots of individual paintings showing Saville's brush work. I would highly recommend this to anyone with an interest in contemporary art, portraiture, or figure painting. As a painting student, it is great to be able to see the whole painting on one page and then examine a series of close-ups and even shots of the artist's reference materials. Very informative. Oh, and the paintings are stunningly beautiful as well!!!
Jenny Saville June 12, 2007
Llewellyn Skye (Sydney, AUSTRALIA)
0 out of 1 found this review helpful
I was extremely happy with this book. It was a reccomendation and I wouldn't have found her without that! br /Wonderful full colour pictures and interesting essays.
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