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Faces of Power and Piety (The Medieval Imagination) | 
enlarge | Author: Erik Inglis Publisher: Getty Publications Category: Book
List Price: $19.95 Buy New: $9.97 You Save: $9.98 (50%)
New (25) Used (7) from $9.09
Rating: 1 reviews Sales Rank: 921472
Media: Hardcover Pages: 96 Number Of Items: 1 Shipping Weight (lbs): 1.1 Dimensions (in): 8.6 x 7.8 x 0.6
ISBN: 0892369302 Dewey Decimal Number: 745.670940902 EAN: 9780892369300 ASIN: 0892369302
Publication Date: September 8, 2008 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Shipping: International shipping available Condition: Brand New. 100% money back guarantee. All books shipped from Strand Bookstore, New York City, USA.
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| Editorial Reviews:
Product Description Faces of Power and Piety is the second in the Medieval Imagination series of small, affordable books that draw on manuscript illuminations in the collections of the J. Paul Getty Museum and the British Library. Each volume focuses on a particular theme to provide an accessible and delightful introduction to the imagination of the medieval world. br The vivid and charming faces featured in this volume include portraits of both illustrious historical figures and celebrated contemporaries. They reveal that medieval artists often disregarded physical appearance in favor of emphasizing qualities such as power and piety, capturing how their subjects wished to be remembered for the ages. Faces of Power and Piety also looks at the development of portraiture in the modern sense during the Renaissance, when likeness became an important component of portrait painting. An exhibition of the same name will be on view at the J. Paul Getty Museum from August 12 through October 26, 2008.
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| Customer Reviews:
very impressive! October 13, 2008 John Harwood (New York, NY USA) Erik Inglis is a scholar of the first rate. This book is accessible to anyone with even a passing interest in medieval manuscripts; but more importantly, it is *rewarding* to anyone with an interest in art history in general. Inglis is a gifted teacher, and this comes through in each line of the writing; he knows how to communicate the importance of the material, even to an audience that may not know the finer points of medieval politics, illumination techniques, etc. If you have even a passing interest in this material, the sumptuous reproductions and scholarly acumen exhibited here should be more than enough to purchase this book.
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