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Painting Beautiful Skin Tones with Color Light | 
 enlarge | Author: Chris Saper
Publisher: North Light Books
Category: Book
List Price: $27.99
Buy New: $13.96
You Save: $14.03 (50%)
New (29) Used (15) from $13.96
Rating:  26 reviews
Sales Rank: 133199
Media: Hardcover
Pages: 128
Number Of Items: 1
Shipping Weight (lbs): 1.7
Dimensions (in): 11.1 x 8.9 x 0.8
ISBN: 1581801637
Dewey Decimal Number: 751.4542
EAN: 9781581801637
ASIN: 1581801637
Publication Date: September 15, 2001
Availability: Usually ships in 1-2 business days
Condition: New
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Product Description
Artists constantly tell us that they need guidance for rendering skin tones in their portraiture. This book helps them overcome this elusive challenge by providing a clear set of easy-to-follow principles for painting a variety of skin tones in three major mediums--oil, pastel and watercolor. The first chapter is rooted in the basics, showing artists how to recognize and use the five major elements of painting: drawing, value, color, composition and edges. From there, artists learn how to work with light, shadow and color to effectively capture the beautiful skin tones of various ethnic groups, including Caucasian, Asian, African-American and Hispanic. Next, artists discover how to execute the principles learned, using detailed instruction for color selection, mixing and application. Four mini-demos, three long demos and many examples illustrate the lessons. Artists will benefit from advice on shooting and choosing photographs to paint, how to edit their compositions and work past their limitations.
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| Customer Reviews: Read 21 more reviews...
 Quite useful and innovative book May 11, 2008
Eduardo M. T. Nery (Brazil)
The explanation texts associated with photos and paintings are technically accurate and clearly comprehensive in such a way very few authors are used to doing. Subject performs diversified approaches covering watercolor, pastel and oil with in depth analyses and subtle interpretations on the alternative effects in skin paintings.The systematic organization of the matters allow every artist to follow the indicated trajetory to improve his knowledge and practice or test whatever is presented.
Found the way February 4, 2007
N. J. De Roo (Netherlands)
2 out of 3 found this review helpful
Great work for painters... br / br /The book was ordered to find out what I did wrong in painting portraits in oil. Clearly instructed by the book I now improved my skills dramatically, especially painting eyes... with the look of love. br / br /
 Not as useful as I had hoped January 20, 2007
Richard S. Abbott (Los Angeles, CA)
7 out of 7 found this review helpful
I happen to think the pictures in this book are beautiful. I wish I could achieve the same level of competence with color. By buying the book, I hoped to improve my ability to quickly make sound color choices, but try as I have, I just can't get the needed information from this book. I have purchased quite a few books on painting, and some have really helped me. The really frustrating thing is that it's obvious she knows what she's doing, but equally obvious she has a hard time communicating it. br / br /If you already understood the topic, I'm sure you would get some comforting reassurance from seeing that which you have grasped reaffirmed. If you are not already a good artist, it's pure misery to try and figure out what she is saying. I have read every word and studied every picture in some cases 3 to 5 times, and I have taken little away. br / br /I'm sure that if she were watching me paint, I would eventually understand what she is teaching, but I was not able to get much from the book. I did enjoy looking at the pictures, but the text is pure torture.
A need for an oil painter. November 13, 2006
Charlie Vogel (Omaha, Nebraska United States)
1 out of 4 found this review helpful
A very excellent reference book. A must for a novice painter.
 Painting Beautiful Skin Tones: One of the Most Misleading Titles Ever October 23, 2006
sal sunderland
13 out of 13 found this review helpful
I agree with several of the previous reviewers. I believe that some of the writing on skin tones offers great insight. I also believe that most of the portraits in the book are garish at best. If there were Sears Portrait Studios around before the invention of photography there is no doubt that their portraits would look like these paintings. I would even be okay with that if it weren't for the fact that the book does not even begin to discuss skin tone until halfway through the book. I would say that 1/5 of the book is actually about skin tone. The rest of the book is just like any other beginners How-To. The basics of painting. Unfortunately there is little about skin tone.
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