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The Manly Masquerade: Masculinity, Paternity, and Castration in the Italian Renaissance

Author: Valeria Finucci
Publisher: Duke University Press
Category: Book

List Price: $89.95
Buy New: $12.49
You Save: $77.46 (86%)



New (12) Used (7) from $11.87

Sales Rank: 3259499

Media: Hardcover
Pages: 328
Number Of Items: 1
Shipping Weight (lbs): 1.4
Dimensions (in): 9.8 x 6.1 x 1.1

ISBN: 0822330547
Dewey Decimal Number: 305.310945
EAN: 9780822330547
ASIN: 0822330547

Publication Date: 2003
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: BRAND NEW. May not have dustjacket. Ship in 24 hrs.



Also Available In:

  • Paperback - The Manly Masquerade: Masculinity, Paternity, and Castration in the Italian Renaissance

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  • Adultery and Divorce in Calvin's Geneva (Harvard Historical Studies)
  • Sodomy in Reformation Germany and Switzerland, 1400-1600 (The Chicago Series on Sexuality, History, and Society)

Editorial Reviews:

Product Description
IThe Manly Masquerade/I unravels the complex ways men were defined as men in Renaissance Italy through readings of a vast array of sixteenth- and seventeenth-century evidence: medical and travel literature; theology; law; myth; conduct books; and plays, chivalric romances, and novellas by authors including Machiavelli, Tasso, and Ariosto. Valeria Finucci shows how ideas of masculinity were formed in the midst of acute anxiety about paternity by highlighting the beliefs?widely held at the time?that conception could occur without a paternal imprimatur or through a womanrsquo;s encounter with an animal, or even that a pregnant womanrsquo;s imagination could erase the fatherrsquo;s "signature" from the fetus. Against these visions of reproduction gone awry, Finucci looks at how concepts of masculinity were tied to issues of paternity through social standing, legal matters, and inheritance practices./PPHighlighting the fissures running through Italian Renaissance ideas of manliness, Finucci describes how, alongside pervasive images of the virile, sexually active man, early modern Italian culture recognized the existence of hermaphrodites and started to experiment with a new kind of sexuality by manufacturing a non-man: the castrato. Following the creation ofI /Icastrati, the Church forbade the marriage of all non-procreative men, and, in this move, Finucci identifies a powerful legitimation of the view that what makes men is not the possession of male organs or the ability to have sex, but the capability to father. Through analysis, anecdote, and rich cultural description, IThe Manly Masquerade/I exposes the "real" early modern man: the paterfamilias./PP

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