|
Respighi: Ancient Airs and Dances 1 & 3, Three Botticelli Pictures, The Birds |  | Creators: Ottorino Respighi, Orpheus Chamber Orchestra
Label: Deutsche Grammophon
Category: Music
List Price: $16.98
Buy New: $8.78
as of 3/19/2010 23:55 CDT details
You Save: $8.20 (48%)
New (21) Used (15) from $5.37
Seller: moviemars
Rating:  5 reviews
Sales Rank: 26430
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.7 x 4.6 x 0.5
MPN: 437533
UPC: 028943753326
EAN: 0028943753326
ASIN: B000001GIE
Release Date: October 12, 1993
Availability: Usually ships in 1-2 business days
| |
| Tracks:
| • | Gli uccelli (The Birds), suite for orchestra, P. 154: Preludio | | • | Gli uccelli (The Birds), suite for orchestra, P. 154: La colomba | | • | Gli uccelli (The Birds), suite for orchestra, P. 154: La gallina | | • | Gli uccelli (The Birds), suite for orchestra, P. 154: L'usignuolo | | • | Gli uccelli (The Birds), suite for orchestra, P. 154: Il cucù | | • | Ancient Airs and Dances, Set 1, arrangements (4) for orchestra, P. 109: Suite I: Balletto detto 'Il Conte Orlando' | | • | Ancient Airs and Dances, Set 1, arrangements (4) for orchestra, P. 109: Suite I: Gagliarda | | • | Ancient Airs and Dances, Set 1, arrangements (4) for orchestra, P. 109: Suite I: Villanella | | • | Ancient Airs and Dances, Set 1, arrangements (4) for orchestra, P. 109: Suite I: Passo mezzo e mascherada | | • | Ancient Airs and Dances, Set 3, arrangements (4) for strings, P. 172: Suite III: Italiana | | • | Ancient Airs and Dances, Set 3, arrangements (4) for strings, P. 172: Suite III: Arie di corte | | • | Ancient Airs and Dances, Set 3, arrangements (4) for strings, P. 172: Suite III: Siciliana | | • | Ancient Airs and Dances, Set 3, arrangements (4) for strings, P. 172: Suite III: Passacaglia | | • | Trittico botticelliano (Three Botticelli Pictures) for orchestra, P. 151: La Primavera | | • | Trittico botticelliano (Three Botticelli Pictures) for orchestra, P. 151: L'Adorazione dei Magi | | • | Trittico botticelliano (Three Botticelli Pictures) for orchestra, P. 151: La nascita di Venere |
|
| Similar Items:
| |
| Customer Reviews:
Superb CD May 8, 2009
Gary Bailin (Somerset NJ USA)
1 out of 1 found this review helpful
Once again the Orpheus group does not disappoint. These lesser known orchestral pieces are a true delight to the ear. Highly recommend this as an addition to one's Respighi collection.
Outstanding Performance! October 20, 2005
Octavius (United States)
5 out of 5 found this review helpful
Ottorino Respighi (1879-1936) was an innovative composer who sought a happy balance between the modernist styles of Debussy and Ravel with Romantic, Rennaissance, and Greco-Roman styles. This album is a good example of his original style performed here to perfection by the Orpheus Chamber Orchestra.
'The Birds' is a lyrical piece expressing images of various birds. The lightness of the piece makes one feel like their flying and the pieces try to create an image of the birds with instruments plucking to imitate the motions of a chicken for example. The Ancient 'Airs and Dances' is simply a transcription of Italian Rennaissance dances performed with modern and romantic styles. The 'Three Botticelli Pictures' is also a lyrical arrangement trying to represent the scenes depicted on the paintings. 'The Spring' of course tries to conjure an image of nymphs and zephyrs moving about in pastoral joy. The work 'The Adoration of the Magi' depicts the nativity scene and is a very measured piece. It is slow and melodic and the inclusion of Greco-Roman styles adds to the sense of mystery and distance somewhere in the East. The last piece, 'The Birth of Venus' depicts the godess Venus rising from her shell and coming to to the gentle shore. The vascillating strings give the impression of water rippling on the shore. The harp adds a sensation of divinity, grace, and beauty. All of these are wonderful pieces are very light and joyful to the ear.
The Orpheus Chamber Orchestra performs these works to absolute perfection and I can find nothing bad to say about either this performance or the recording. The sound quality is simply amazing in its clarity and volume. This is a great album for anyone's collection.
Lovely performances of fine Respighi March 26, 2002
Michael J. Keyes (Portland, OR USA)
14 out of 14 found this review helpful
This is beautifully played and beautifully recorded. The conducterless Orpheus Chamber Orchestra gives finely detailed performances that capture the many moods of this music. Their performance of the Botticelli Triptych is the best that I have heard. The recording is excellent, with a very natural finely detailed sound. I recommend this recording, without reservation.
Clear renditions of difficult-to-find Respighi March 5, 2000
Tom (Concord, MA)
34 out of 34 found this review helpful
There are an unfortunately small number of recordings of two of the works represented on this CD: Trittico Botticelliano and, to a lesser extent, Gli Uccelli. Many people prefer to focus on Respighi's larger and more grandiose works, specifically the three Rome suites, which is frankly a pity as Respighi's talent for precision and intricate weaving of voices is all but lost in the immense orchestras. Orpheus delivers these pieces clearly, in perfect synchronization, and without hesitation. Among the most difficult movements to keep together is the second of the Trittico, The Adoration of the Magi. The mixed meters and constantly changing tempi are executed as if they were terribly easy. Take it from a performer of these works, they aren't at all. The setting of the work is one solo wind from each section, one horn, one trumpet, small string sections, and the "coloration" of harp, celesta, piano and triangle. The intense tightness of this so-called color group is felt throughout without exception, even in the torrential seascape that concludes The Birth of Venus.No less stunning is the opening work of this collection, Gli Uccelli. Comprised of five movements taken from early Italian and French keyboard works by Rameau, Gallot and Pasquini, the work is delicate and intricate without being too complex. Orpheus captures this extremely well, and Peggy Pearson's oboe playing adds a light, comic touch to the middle movement "The Hen."The two suites (first and third) of Ancient Airs and Dances are equally well done, although not quite as exemplary in their rarity. The third suite, for strings alone, is particularly well-knit, and as usual, the ensemble is perfectly together.
Blew me away! February 17, 2000
Thomas E. Wisniewski (Silver Spring, MD USA)
16 out of 16 found this review helpful
Tight performance, superb interpretation; transparent texture lets you hear every part like you're sitting in the middle of the orchestra. Wow!
|
|
|
CERTAIN CONTENT THAT APPEARS ON THIS SITE COMES FROM AMAZON SERVICES LLC. THIS CONTENT IS PROVIDED ‘AS IS’ AND IS SUBJECT TO CHANGE OR REMOVAL AT ANY TIME. Powered by Associate-O-Matic
| |
