Mozart - Le nozze di Figaro (The Marriage of Figaro) / Haitink, Finley, Hagley, Fleming, Glyndebourne Festival Opera | 
enlarge | Director: Derek Bailey Actors: Gerald Finley, Alison Hagley, Renee Fleming, Andreas Schmidt, Mandred Roehrl Studio: Kultur Video Category: DVD
List Price: $29.99 Buy New: $15.80 You Save: $14.19 (47%)
New (28) Used (7) from $15.00
Rating: 46 reviews Sales Rank: 38634
Format: Classical, Color, Dvd-video, Subtitled, Ntsc Languages: Italian (Original Language), English (Subtitled), French (Subtitled), Japanese (Subtitled), Spanish (Subtitled) Rating: NR (Not Rated) Region: 1 Aspect Ratio: 1.33:1 Number Of Discs: 1 Running Time: 190 Minutes Shipping Weight (lbs): 0.2 Dimensions (in): 7.4 x 5.4 x 0.6
MPN: 2039 ISBN: 0769775691 UPC: 032031203990 EAN: 9780769775692 ASIN: B00008DDRM
Theatrical Release Date: 1994 Release Date: September 16, 2003 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Shipping: International shipping available Condition: BRAND NEW AND FACTORY SEALED
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| Editorial Reviews:
Amazon.com essential video Mozart's immortal adaptation of Beaumarchais's satirical tale has always been a Glyndebourne staple, so it was appropriate that this delightfully traditional production of ILe Nozze di Figaro/I was chosen to reopen their refurbished opera house in May 1994. John Gunter's set design is airy and uncluttered, leaving the actors plenty of breathing space, while director Stephen Medcalf likewise allows the characters to speak (and sing) for themselves. Gerald Finley's Figaro and Alison Hagley's Susanna make a charming central pairing; Renee Fleming and Andreas Schmidt are a formidable aristocratic duo, while Marie-Ange Todorovitch fills Cherubino's trousers with pleasing playfulness. Bernard Haitink and the London Philharmonic sparkle, as of course they should. Unfussily filmed, this is as close to the real thing as you're likely to get without a Glyndebourne season ticket. I--Mark Walker/I
Description Stephen Medcalf's superb production opened on the 60th anniversary of the first performance at Glyndebourne, inaugurating the new opera house. "One listened enthralled, as Haitink, Hagley and Finley lifted a loving, carefully prepared performance to greatness." OPERA Mozart's comedy presents a scenario where society overcomes its differences - social, sexual, generational - through the exercise of the humane values of mutual understanding, respect and forgiveness.
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| Customer Reviews: Read 41 more reviews...
One of the best Nozzes with a couple of caveats... October 24, 2008 Thomas E. Ascher (Bellingham, WA) Overall, very appealing. Bright, sharp visuals; full crisp sound; mostly good cast. Weaknesses, surprisingly, is Rene Fleming at the time who was about 30 pounds overweight and who's voice as yet had no dynamics. Also, staging a bit crude and minimalist. Also, not widescreen. So, better than many but not quite satisfying.
Cosi fan .... molti October 13, 2008 C. Franco (Padova, Italy) La qualita sonora e proprio mediocre. A questo si aggiunge una dizione veramente scadente, difficile da tollerare in una recita avvenuta nella Nazione del teatro ed in un tempio dell'Opera quale Glyndebourne. Perfino i recitativi risultano talvolta incomprensibili, quantomeno quelli delle parti minori, ammesso e non concesso che in questa opera qualcosa possa essere considerata minore. Viceversa sappiamo quanto nella trilogia di Da Ponte i recitativi costituiscano il telaio portante dell'opera, in grado non solo di sorreggere ma anche di fare ulteriormente lievitare in alto una musica letteralmente baciata dal cielo. br /Paradossalmente consiglierei l'editore di aggiungere quantomeno i sottotitoli in italiano (sigh!). br /
I would've given it a 0 stars, if I could July 28, 2008 Y. Goldfarb (US) 0 out of 1 found this review helpful
Please do not waste your money on this one. The sound is tourchuring. We could not even listen through the first act! It was complete waste of money for us! Poor Mozart, and I always thought that you can't go wrong with Mozart's pieces, what a dissapointment.
Four roses, one thorn May 8, 2008 Vito Siena (Northampton, MA USA) 0 out of 1 found this review helpful
Must the role of Cherubino ALWAYS be sung by a woman? I ask in ignorance: Why must this be so? I found this character impossible to accept, and for me the woman who sang the role ruined every scene she was in. I could only see a woman dressed as a man and pretending to be a man, and a willing suspension of disbelief simply would not set in.
A fresh Nozze March 12, 2008 db (Malta) This is my third Nozze. I give it 5 stars for scenery, costumes, freshness and entertainment! singers are all very excellent (except don basilio) - direction is clean and fresh - orchestra from london philarmonic is tight and with an excellent tempo - acting is believable and very realistic and clean. br / br /recommended.
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